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Film Festivals
/ 5 years ago‘Bait’ Review: Dir. Mark Jenkins (2019) [EIFF]
Making his feature debut on a low-budget, shooting in black-and-white on 16mm, Mark Jenkins’ minimalistic Bait sets Cornwall as the backdrop...
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Film Reviews
/ 5 years ago‘Escape Plan 3’: Dir: John Herzfeld (2019)
Sylvester Stallone and Dave Bautista return for another round of hell in a cell (sadly not an awesome WWE tie-in) with...
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Film Festivals
/ 5 years ago‘End of Sentence’ Review: Dir. Elfar Adalsteins (2019) [EIFF]
The road-trip movie is a staple of the Edinburgh Film Festival programme every year, a classic movie of estranged family or...
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Film Reviews
/ 5 years ago‘Spider-Man: Far From Home’ Review: Dir. Jon Watts (2019)
Spoiler warning to those who have not seen ‘Avengers: Endgame.’ The dust of Thanos and his universal reign of terror is...
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Film Festivals
/ 5 years ago‘The Souvenir’ Review: Dir. Joanna Hogg (2019) [EIFF]
Following up her much-lauded 2013 film Exhibition, British filmmaker Joanna Hogg returns to the silver screen with the hotly-anticipated The Souvenir...
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Film Festivals
/ 5 years ago‘Aniara’ Review: Dir. Pella Kagerman & Hugo Lilja (2019) [EIFF]
Every year brings us the “thinking man’s sci-fi”, a provocative genre piece usually big on it’s complexity and ideology; already this...
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Film Reviews
/ 5 years ago‘Toy Story 4’ Review: Dir. Josh Cooley (2019)
9 years since the Toy Story trilogy so perfectly concluded its arc, a fourth in the franchise arrives with plenty of...
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Film Festivals
/ 5 years ago‘The Art of Self-Defense’ Review: Dir. Riley Stearns [EIFF]
Following up his 2014 indie darling Faults, a charming crime caper, Riley Stearns returns to the festival circuit with The Art...
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Film Festivals
/ 5 years ago‘Yesterday’ Review: Dir. Danny Boyle (2019) [EIFF]
Imagine if The Beatles never existed. A world where no young piano student ever sat down to play the opening notes...
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Film Festivals
/ 5 years ago‘The Captor’ Review: Dir. Robert Burdeau (2019) [EIFF]
Every year, Edinburgh Film Fest offers up a star-studded genre piece; it’s the kind of film that should do well on...