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<em>’Sorry About the Demon’</em> review: Dir. Emily Hagins [FrightFest]

Although Arrow Video FrightFest is known for championing the ‘dark heart of cinema’, it is not afraid to showcase lighter stories. Not every film is all doom and gloom. When you consider that the festival screens over seventy films every August, featuring only dark and sombre films would make for a rather depressing event. Instead, the team highlights all aspects of genre cinema, which of course includes comedy horror. Hoping to lift the spirits and chase away the final day blues comes Emily Hagins’ Sorry About the Demon

Sorry About the Demon

Just by the title, Sorry About the Demon, the tone of Hagins’ film is set. The prologue, in which a family hilariously discovers that their new house is haunted, confirms this. As they settle in for the night, they realise that something isn’t quite right with their daughter. The child has been possessed by Deomonous (voiced by Tony Vespe); desperate to save her, the child’s parents make the entity a tempting offer…This type of set-up could have been constructed to elicit maximum scares and malice, but Hagins opts to infuse it with humour. The bickering between the family members verges on silly, deflating any thoughts about spooky horror, whilst promising a fun time to come. Their pact involves offering to acquire for Deomonous, a more age-appropriate vessel. Enter Will (Jon Michael Simpson).

Will is exactly the sort of down-on-his-luck, slightly unstuck and directionless protagonist that comedy films thrive on. He earns a living as a toothpaste customer service rep, but has a fondness and talent for baking. Will lives with his girlfriend Amy (Paige Evans), but after she gets exasperated at his inability to commit to anything, including her, she breaks up with him. In need of a new place to live, Will inadvertently finds himself a tenant in Deomonous’ lair. It’s with Will that the humour offence kicks up a gear. Jon Michael Simpson is perfect in the role and manages to make Will just charming enough to be bearable. The character clearly has his faults, but Simpson makes them appear as endearing and the viewer is quickly on his side.

Bright and jovial music accompanies Will’s odd encounters so there’s an element of safety for even the most scaredy of cats out there. There’s a whimsy to these exchanges and Will’s initial obliviousness is a tried and tested comedy trope, but one that works favourably here. After he twigs what is happening, watching Will bumble his way through is like watching an excitable golden retriever attempt maths. He is completely out of his depth, but luckily for him he has people to turn to – best friends Patrick (Jeff McQuitty) and Aimee (Olivia Ducayen). As the film expands its number of characters, so too does the opportunity for laughs. There’s an ongoing gag about Amy’s that is simple but effective, and Patrick is great as the exasperated rational friend. McQuitty’s performance is Cameron Fry, but transposed to horror.  

As Sorry About the Demon moves forward, it gets progressively sillier, and by the time the vivid green demon blood spurts onto the screen, the viewer will have fallen in love with its eccentricities. Though Sorry About the Demon is its own, very specific, beast, it does share a cosmic kinship with both Extra Ordinary and A Ghost Waits. It’s neither as heartbreaking as the latter, nor as buoyant as the former, but tonally it aligns somewhere between the two. The three would make a great triple-bill, just be sure to end with Sorry About the Demon for maximum good vibes. 

Sorry About the Demon

Kat Hughes

Sorry About the Demon

Summary

At its core, a coming-of-age comedy about a man-child finally learning the importance of commitment, Sorry About the Demon thrusts the viewer into a weird and wacky world of possession, baking, and toothpaste. 

4

Sorry About the Demon was reviewed at Arrow Video FrightFest 2022. 

Kat Hughes is a UK born film critic and interviewer who has a passion for horror films. An editor for THN, Kat is also a Rotten Tomatoes Approved Critic. She has bylines with Ghouls Magazine, Arrow Video, Film Stories, Certified Forgotten and FILMHOUNDS and has had essays published in home entertainment releases by Vinegar Syndrome and Second Sight. When not writing about horror, Kat hosts micro podcast Movies with Mummy along with her five-year-old daughter.

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