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TIFF 2017: ‘Three Billboards’, ‘Bodied’ Take Top Awards In Toronto

Well, the 2017 Toronto International Film Festival has now officially come to a close after 11 days of cinematic bliss, and on Sunday afternoon,...

TIFF 2017: ‘Brawl In Cell Block 99’ Review: Dir. S. Craig...

Brawl In Cell Block 99 review: Vince Vaughn delivers a powerhouse performance in this extremely violent but very enjoyable genre piece from Bone Tomahawk...

TIFF 2017: ‘Victoria and Abdul’ Review: Dir. Stephen Frears (2017)

Victoria and Abdul review: Stephen Frears directs this period drama about the relationship between Queen Victoria and young Indian clerk Abdul. Victoria and Abdul review...

TIFF 2017: ‘Film Stars Don’t Die In Liverpool’ Review: Paul McGuigan...

Film Stars Don’t Die In Liverpool review: Paul McGuigan (Gangster No. 1, Lucky Number Slevin) brings this stunning portrait of love in the late...

TIFF 2017: ‘The Current War’ Review: Dir. Alfonso Gomez-Rejon (2017)

The Current War review: Benedict Cumberbatch and Michael Shannon play warring inventors in this story of the invention of mass-produced electricity. The Current War review...

TIFF 2017: ‘Hostiles’ review: Dir. Scott Cooper (2017)

Hostiles review: Scott Cooper follows up his 2015 crime epic Black Mass with a switch of genre for Hostiles, which features a powerful lead...

TIFF 2017: ‘Unicorn Store’ Review: Dir. Brie Larson (2017)

Unicorn Store review: Brie Larson makes her directorial debut with this quirky drama, a whimsical journey of self discovery. Unicorn Store review by Paul Heath. Academy...

TIFF 2017: ‘The Disaster Artist’ Review: Dir. James Franco

The Disaster Artist review: James Franco directs and leads the cast as Tommy Wiseau, the legendary modern filmmaker who made The Room, the cult...

TIFF 2017: ‘The Ritual’ Review: Dir. David Bruckner (2017)

The Ritual review: This wood-based horror is one of the most powerful and most terrifying films of the year. The Ritual review by Luke Ryan Baldock. Another...

TIFF 2017: ‘The Children Act’ Review: Dir. Richard Eyre (2017)

The Children Act review: Emma Thompson delivers an astonishingly elegant and fluent performance as a high court judge with both personal and professional dilemmas...