Lord
of War is a sprawling, effective look into the world of gun running, but make
no mistake - this movie has a lot more on it’s mind. Surprisingly, this latest
effort from the talented Andrew Niccol (Gattaca) has met with mixed reaction from
critics and movie goers alike. I say surprising because I’m quite dumbfounded
by those who are so quick to proclaim the movie pretentious and empty, particularly
given the kind of unoriginal product Hollywood has subjected us to as of late
(really, do we need another damn remake or sequel?). Original ideas are scarce
these days, and I’m absolutely mind boggled that a respectable trade like
Entertainment Weekly would give this picture a D- (and if you read the review,
you may find it odd that it isn’t a particularly scathing critique –
so why the D-?). At the very least, Lord of War has something to say.
In
Lord of War, Nicolas Cage is smooth talking gun runner Yuri Orlov. He has no problem
brokering gun deals with the scum of the earth, and is quick to point out that
there is very little difference between what he does and what tobacco companies
do, amusingly suggesting that; "The only real difference is that his product
has a safety switch." Simply put, Yuri is a businessman and a shrewd one
at that. He has no problem distancing himself from the moral implications of his
profession - even when it effects his marriage and his relationship with his drug
addicted brother (played by a lively Jared Leto).
Lord
of War is flashy to be sure. It’s big and glossy and tends to state the obvious,
but it’s also explosively courageous in it’s attempt to address important
issues. Andrew Niccol’s screenplay is edgy and smart, and the film maker
even gets away with something that is taboo in many film making circles; off screen
narration. Cage’s excessive narration does become intrusive at times, but
not enough to take away from the overall impact of the movie.
Niccol’s
direction is equally assured. You need look no further than a brilliantly conceived
sequence at the beginning of the picture in which we trace the origin of a bullet
from it’s birth to it’s ultimate firing on an unsuspecting target. The
movie is alive with energy, and even when it is stating the obvious or taking
a stance (clearly, the movie suggests that what Yuri does is wrong and he pays
the price in more ways than one), the film pulsates with dynamic flair. For me,
the experience was sort of a combination of the brutal honesty and insightfulness
of Steven Soderbergh’s Traffic (substitute guns for drugs) mixed with the
darkly comedic touch of Stanley Kubrick’s masterful Dr. Strangelove. I know
this is heady company, and I hasten to qualify that by stating that Lord of War
is not quite in either of those film’s league, but it is certainly in the
same vein. This picture is also drawing comparisons to Ted Demme’s little
seen Blow. There are certainly similarities, but I found Lord of War to be much
more effective.
Nicolas
Cage is absolutely magnetic here. I just couldn’t take my eyes off him. His
approach is effortless. What can I say? He’s just a cool actor, and when
he brings his A game, he’s hard to resist. Perhaps the most harsh criticism
of this picture has been aimed at Mr. Cage. Many point out that his Yuri has no
redeeming qualities, and that he is no better than those he’s selling guns
to. My response to this particular criticism is that this is exactly the point.
How on Earth could Niccol and Cage possibly make a hero out of a guy in this line
of work. For what it’s worth, Cage is able to bring a sympathetic quality
to the character, still and all, I don’t necessarily have to like a character
to find him likable. Case in point, check out Thomas Haden Church’s role
in Sideways. He was a slimy son of a bitch, but I still liked him. Even though
Cage is playing a person that many might deem despicable, he does these things
with an undenibaly dazzling zeal. Jared Leto is also terrific as Yuri’s lost
brother Vitaly. This is a showy but lively performance, and I found him extremely
entertaining. Along with the lovely Bridget Moynahan, who does a solid job as
Yuri’s wife, Leto sort of presents the other side of the gun control issue.
Ethan Hawke is also effective as a wide eyed FBI agent desperate to catch Yuri
and put him behind bars.
Lord
of War walks that fine line between thought-provoking seriousness and grand scale
entertainment. I’m all for going to the movies simply to be entertained,
but sometimes it’s nice to see a flick that forces the audience to think.
Crash did that, so did Layer Cake, the soon to be released New York Doll and the
recent The Constant Gardener. Add Andrew Niccol’s latest to a small handful
of elite films that challenges it’s viewers in ways that most mainstream
films are afraid to. This is a terrific movie.
On
a side note, check out the poster for this film at your local theater. It’s
breathtaking.
