Pride
and Prejudice Starring: Keira Knightley, Matthew
MacFadyen, Brenda Blethyn, Donald Sutherland, Jena Malone, Judi Dench, Tom Hollander,
Rosamund Pike, Talulah Riley, Penelope Wilton, Simon Woods Directed by:
Joe Wright
Released in the US: November 23rd, 2005 Released in the
UK: October 2005
Reviewed by: The Boneman, ZBoneman.com
Miraculously,
for the entirety of my 45 years here on earth, I have somehow managed to avoid
seeing so much as a channel-surfing snippet of Jane Austens beloved Pride
and Prejudice. No easy task as it has seen countless filmed incarnations (this
one making the third in the past 2 years). Being a fan of Colin Firths take
on a different Darcy in Bridget Jones D' Iary, I've been the most tempted
to break my impressive streak of P & P abstinence, by renting his famous Darcy
doings, but the thought of 5 hours of stuffy BBC-ified anything was enough to
secure my record. And now it is only out of a sense of duty to this website, and
the fact that even my most macho friends have returned from it with favorable
reports, that I have, at long last, experienced the fanciful follies of the Bennett
family and stand ready to disabuse anyone with similar predispositions (okay Prejudices). 
Pride
and Prejudice, faithfully rendered (or so Ive read) by first time director
Joe Wright, is a fine bit of smart and often poignant entertainment, centered
around a family with upper-class aspirations, but limited means. The story takes
place at a time in British history when social stratification was the order of
the day - an unwritten law that many would have preferred to see enforceable.
Their five daughters (two, Jane and Elizabeth, eligible by age for marriage) stand
as the best shot the family has of improving their societal lot, and this is pretty
much the only thing that their mother (Brenda Blethyn) ever thinks about. Mrs.
Bennett is far from being a woman of refinement and grace - a bit daft and dotty
around the edges - and though a devoted wife, is completely obsessed by the prospect
of obtaining a ticket into upper-class society visa-vie a strategic marriage or
two. In the profound words of David Byrne - same as it ever was. When
Mr. Bingley - a handsome, moneyed and aristocratic bachelor (Simon Woods) moves
into their village - it sets the Bennett household into something of a state -
particularly as Mr. Bingley is often seen in the company of a mysterious and handsome
gentleman freind. The lot of them first meet at local social function, where Bingley
takes a fast fancy for Jane, unfortunately his enigmatic and ostensibly snobbish
friend Mr. Darcy (Matthew MacFayden) gets off to a miserable start with Elizabeth.
Of course anyone whos seen at least five movies in their life, instantly
knows where matters such as this are headed. Up
until now, Ive written Keira Knightly off as the new model Winona Rider,
and other than Pirates of the Caribbean and Love Actually, actually I was pretty
much unfamiliar with her work - though naturally Ive read a good deal about
her. At this point, I should confess that Im ready to head up a local chapter
or her fan club. She literally tears the hinges off of this sucker and with Austens
wry witticisms flowing naturally from her exquisite mouth, youll want to
join my little club yourself. As
for the rest of the cast, Donald Sutherland is strong as the beleaguered and bemused
patriarch of the Bennett family and Judi Dench is deliciously despicable as Lady
Catherine - a condescending, yet officious woman of local nobility. Dench is so
good at inspiring your misanthropy that youd literally like to see her eaten
alive by wild sheep. Quite a testament to her thespian prowess. Also impressive
is MacFaydens Darcy. For his part he gambles that he can win you over when
his character turns in the final act, after playing the know your place-card
and remaining unlikably aloof throughout most of the film. He manages this with
charming aplomb, due mostly to the fact that we know all along that his abrasiveness
is just a disguise to hide his attraction to Elizabeth - in spite of his low opinion
of her family. Besides, playing hard to get almost never fails - same as it ever
was. As far as I know, this is the only thing Ive seen him in, and he manages
to be quite winning, despite his unconventional, almost lopsided, Bohemian look. There
are a number of subplots, one involving a younger Bennett sister (Jena Malone)
who becomes entangled with the wrong sort of fellow. An unfortunate turn of circumstance
that requires a clever bit of chicanery on the part of her loved ones to extricate
her from. And naturally there are a lot of hearts battered, bruised and broken
along side the matrimonial trail. As
a matter of course, the film is going to stand or fall on the strength of how
effectively the love story is rendered. I must admit that I was quite taken with
it, even though such love-hate relationships have become awfully cliché
since Austen wrote her story nearly 200 years ago. Still, this is a tale told
with such wit and wisdom that when, at long last, it turns physical, the passion
literally radiates from the two of them in palpable waves. In the end, Elizabeth
relies less on her heart-stopping beauty, and more on her honesty and solid character
to lure Darcys true feelings out of hiding and by the final act it becomes
clear that he is likewise a man of great loyalty and character. Once Elizabeth
realizes these things, and sees beyond her own pride, she lights up in a way that
cannot be directed and you wont soon forget. Oftimes you'll hear a woman
described as being luminous - indeed the light that eminates from within young
Miss Knightly may very well cause permanent retina damage. Along
with picture perfect period detail and cinematography that is beyond sumptuous,
Pride and Prejudice hits so many of the right notes that it literally sings. It
will go down in history as one of those rare creations: a quintessential chick
flick that men cannot resist. As far as Im concerned it will remain a fluke,
just one of those guilty pleasures and nothing more. For crying out loud. Grade:
B+
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