Then came JACKIE BROWN in 1997, a film that, while not really disliking it, felt that it didn't quite live up to the man's previous two bohemoths. Then, after a long break, came KILL BILL, parts one and two, which out of the two, I prefered the second one, and then last year's GRINDHOUSE flick DEATH PROOF, which actually turned out to be a non-event over here in the UK really. So, Quentin had to get movie with another project. After lackluster box-office success with GRINDHOUSE, and a critical mauling, the director had to amp it up and deliver the goods. And quick.
Well, quick he was, and with a period of just over nine months since completing the screenplay, INGLOURIOUS BASTERDS was debuting at the Cannes Film Festival, and competing for the Palme D'or, exactly 15 years after Pulp scored the big one in 1994. Expectations were high...

