Wednesday, June 26, 2019
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Andrew Gaudion

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‘Miles Davis: Birth Of The Cool’ Review: Dir. Stanley Nelson (2019)...

Miles Davis: Birth of the Cool Review: Told through the people who knew him best, Nelson's unflinching approach to Miles and his music is...

‘Ma’ Review: Dir. Tate Taylor (2019)

Octavia Spencer goes against type in service of a delightfully bonkers thriller from the director of The Girl on the Train and The Help. There...

‘Booksmart’ Review: Dir. Olivia Wilde (2019)

Olivia Wilde heads to the top of her class with a directorial debut that has attitude and heart to spare. The corridors of the high...

‘Aladdin’ Review: Dir. Guy Ritchie (2019)

Ali Baba had them 40 thieves, Scherazade had a thousand tales. What the House of Mouse has is a back-catalogue of animated classics to...

‘Avengers: Endgame’ – An IMAX Experience

Judging by the amount of box office records that have been broken, there’s a strong chance that you have already seen Avengers: Endgame, the...

‘The Hustle’ Review: Dir. Chris Addison (2019)

The Hustle review: Anne Hathaway and Rebel Wilson bring on the con in this gender-swapped remake of Dirty Rotten Scoundrels. There is always something inherently...

‘Long Shot’ Review: Dir. Jonathan Levine (2019)

Seth Rogen and Charlize Theron share the screen in a rom-com about an unlikely romantic pairing blossoming against all odds. At this stage in Seth...

‘Hellboy’ Review: Dir. Neil Marshall (2019)

The demon paranormal investigator with the big red right hand climbs out of development hell in this reboot of the comic-book franchise, swapping out...

‘Wild Rose’ Review: Dir. Tom Harper (2019)

Wild Rose review: Jessie Buckley shines in this warm and caring drama about life, music and responsibility. Wild Rose review If you happened to catch last...

The PosterSpy Annual Alternative Poster Portfolio Kicks Off This Weekend

The art of poster design is alive and thriving if PosterSpy has anything to say about it. This weekend sees the return of the...