| Posted
in:
Movie News,
Movie Reviews
Author: Adam Mast Oct 6, 2008 - 7:47:50 AM |
Alan Ball's extraordinarily uncomfortable look at middle America
suburbanites is a provocative expose on race, sexuality, politics, and
the dark side of human nature. To give a little more insight into the
film's controversial subject matter, one need look no further then the
bold title. Summer Bishill gives a powerful performance as
Jasira, a thirteen year old Arab American girl whose recently divorced
mother (played by Maria Bello) forces the young and confused girl to
move in with her strict, Lebanese father (played by Peter Macdissi) in
a small Texas neighborhood. While adjusting to her new life, Jasira is
either physically or emotionally abused by just about every person she
comes into contact with.
There is no question that Ball's film –
based on a novel by Alicia Erian - will make you squirm, but it's also
a surprisingly hopeful film. Set in a universe not unlike American
Beauty, Towelhead features characters who are forced to confront their
own insidious flaws. In this regard, the film treads Crash waters, only
here the proceedings are far more subtle. The performances are
outstanding right across the board. Newcomer Summer Bishill gives a
fearless, uninhibited turn as the confused Jasira. Peter Macdissi is a
revelation as Summer's stern father, and his final moments are amongst
the picture's finest. Aaron Eckhart - coming off his outstanding
portrayal of Harvey Dent in the box office juggernaut The Dark Knight –
expertly plays Summer's next door neighbor Travis. This man commits
Towelhead's most despicable act, but through it all, Eckhart manages to
keep Travis human. No easy accomplishment. Rounding out the stellar
cast is the wonderful Toni Collette. Her character appears to provide
the sole voice of reason in this seemingly upside down universe. Towelhead
is one of those pictures that is destined to upset many people with
it's frank, honest, and disturbing subject matter. If you do see it and
feel compelled to walk out in the first half, stay put. This is a
profound piece of film making from the creator of Six Feet Under and
the writer of American Beauty, and you need to see the entire film
through to truly understand it's overall impact. This a stunning movie.



