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London Korean Film Festival announces line-up.

LKFFFilm festival season is fully upon us now. The London Spanish Film Festival kicks off at the end of September, while the London Georgian Film Festival starts off October. Mid-October sees the big one, the London Film Festival take place, followed by the London Korean Film Festival from the 2nd-14th November. It’s almost non-stop, but I must say the latter is possibly my personal favourite.

Combining the perfect mix of retrospective, brand new hits, and even documentaries this year, The London Korean Film Festival enters its 10th year and the 2015 programme has been announced. The opening gala film goes to the fantastic Ode To My Father which we reviewed back in January for its North American release.

Ode To My Father

Korea has constantly offered up thought provoking, entertaining, and unique films, and this year looks set to continue that trend.

Stay informed via http://koreanfilm.co.uk/ for information on times and tickets. Read the full 2015 programme description below.

The London Korean Film Festival takes place between 2nd and 14th November.

The London Korean Film Festival (LKFF), which runs from 2-14 November and this year celebrates its 10th Anniversary, is delighted to reveal details of their 2015 programme. Boasting 51 films across features and shorts, a host of UK Premieres, retrospectives and newly introduced Emerging Directors and Documentary strands, the 2015 Festival offers UK audiences a fantastic opportunity to discover the very best in Korean cinema. With works from established filmmakers including Bong Joon-ho, to up-and-coming directors and renowned Korean actors, this Festival guarantees to offer something for everyone.

As part of this year’s 10th Anniversary, the 2015 Programme sees the introduction of an Audience’s Choice strand, where the public were asked to vote for their favourite Opening/Closing films of the LKFF over the last 9 years. The top three films will be screened at this year’s festival and includes the 2009 UK theatrically released ‘THE GOOD, THE BAD, THE WEIRD’ from Kim Jee-woon, his take on a Western with the backdrop of 1930s Manchuria.

The Festival is pleased to unveil its Opening Gala as the UK Premiere of JK Youn’s drama ‘ODE TO MY FATHER’ starring Hwang Jung-min and Kim Yunjin. The second highest-grossing film in the history of Korean cinema, the film premiered at this year’s Berlinale where it garnered rave reviews. When the Korean War breaks out, a young boy named Duk-soo vows to take care of his displaced family in place of his missing father. His lifelong promise spans over 60 years, leading him through a monumental journey of hope, dedication, and personal sacrifices. Director JK Youn, Producer Kil Young-min and lead actor Hwang Jung-min will attend the Opening Gala which premieres at BFI Southbank.

This year’s Closing Gala is the European Premiere of Zhang Lu’s quirky story ‘LOVE AND…’, a film which represents the diversity of Korean cinema. Zhang Lu’s work offers a rare glimpse in to Korea’s modern history through war, migration and separation. His Closing Gala starring Park Hae-il, Moon So-ri, and Ahn Sung-ki, is an offbeat comedy which captivatingly explores the dualities of life through colour and black and white, love and madness, acting and being, as well as presence and absence, in a witty four-chapter interlinking conundrum.

Emerging Directors, programmed by renowned film critic and commentator Tony Rayns, one of the world’s leading experts on Asian cinema, will see works from hugely talented directors such as Lee Kwang-kuk (‘A MATTER OF INTERPRETATION’ about a small time actress and her encounter with a detective who soon discovers their lives are intertwined in a strange way), who has worked with Hong Sangsoo on a number of acclaimed films between 2005 and 2009, and Jang Kun-jae (‘A MIDSUMMER’S FANTASIA’), both of whom have promising careers as auteurs in Korea’s independent film scene.

This year’s actor focus strand shines a spotlight on one of Korea’s most talented actors, Hwang Jung-min. Starring in over 40 films spanning 15 years, he has become one of the most important actors in Korean cinema. His films screening in the Festival include his very first film the 2001 modern classic ‘WAIKIKI BROTHERS’ directed by Lim Soon-rye; Im Sang-soo’s ‘A GOOD LAWYER’S WIFE’; detective action comedy ‘VETERAN’ and the Opening Gala ‘ODE TO MY FATHER’.

Classics Revisited, which is programmed by Dr. Mark Morris, a Fellow of Trinity College, Cambridge, shines the spotlight on one of Korea’s most notable auteurs, Chung Chang-hwa. Having directed over 58 films including the renowned ‘FIVE FINGERS OF DEATH’, he was the first Korean director to work abroad in Hong Kong for Shaw Brothers and Golden Harvest Studios between 1969 -1977. LKFF is delighted to announce that Chung Chang-hwa will be attending this year’s Festival to present a number of his films to UK audiences. Films screening here will include hit crime-drama ‘A BONANZA’ about a man who, having sacrificed relationships with those closest to him in search of a gold mine, will soon discover that finding the gold is a lot more straight-forward than keeping hold of it, and ‘SUNSET ON THE SARBIN RIVER’ about a Korean youth who becomes a Japanese army officer.

Films of commercial or critical success during 2014-2015 in Korea and at international film festivals will be showcased in ‘Hits from 2014-15’. This strand looks to bring some of the biggest box office hits and the award-winning films to the UK screens with a wide array of interesting, thrilling and poetic stories. Films in this section include gripping crime thriller ‘THE CLASSIFIED FILE’, based on a real-life Busan kidnapping case from 1978; Oh Seung-uk’s ‘THE SHAMELESS’ starring Jeon Do-yeon, a hard-boiled melodrama between a detective, who never realized that what they had was love, and a killer’s lover, who wanted to believe it was; and ‘TWENTY’, a radiant comedy about three best friends.

Six critically acclaimed films from the Busan International Film Festival 2014 will be shown as special screenings giving audiences an opportunity to see some of the highlights of last year’s Festival. Programmed by Busan International Film Festival programme director for Korean cinema, Nam Dong-chul, films screening here include Kim Dae-hwan’s family drama ‘END OF WINTER’, about a feuding family trapped in a house together and forced to address their issues, and Hong Seok-jae’s conspiracy theory thriller ‘SOCIALPHOBIA’.

For the first time, this year’s Festival will include a Documentaries strand, showcasing four important, moving and inspiring documentary films. Selected by Ricardo Matos Cabo and Matthew Barrington on behalf of the Essay Film Festival titles include Kim Eungsu’s emotive film ‘THE CITY IN THE WATER’ and Kim Jeong-keun’s ‘THE ISLAND OF SHADOWS’ about working life in the Hanjin Shipyard.

In celebration of the 20th Anniversary of Korea’s biggest film distribution company CJ, LKFF will be presenting a standout selection of the company’s portfolio from their 20 year history, including a wide range of titles from big blockbusters to independent and auteur titles. Film’s screening in this strand include the newly black and white mastered version of the dramatic and heart-wrenching ‘MOTHER’ directed by Bong Joon-ho, which tells the story of a single mother who takes the law into her own hands to clear her son’s name when he is accused of murdering a young girl. Also screening in this strand are Hwang Dong-hyeuk’s fun and touching feature ‘MISS GRANNY’ and Choo Chang-min’s ‘MASQUERADE’, a tale of the paranoid 15th ruler of Korea’s Joseon Dynasty, King Gwanghae.

 

Luke likes many things, films and penguins being among them. He's loved films since the age of 9, when STARGATE and BATMAN FOREVER changed the landscape of modern cinema as we know it. His love of film extends to all aspects of his life, with trips abroad being planned around film locations and only buying products featured in Will Smith movies. His favourite films include SEVEN SAMURAI, PASSION OF JOAN OF ARC, IN BRUGES, LONE STAR, GODZILLA, and a thousand others.

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