No, this isn’t a secret sister project to Linklater’s Golden Globe winning movie but instead a tremendously impressive looking coming of age drama from Celine Sciamma.
Starring Karidja Toure as 16-year-old Marieme, she’s feeling tied down by her family, doing badly at school and is looking for an escape. When she meets a group of 3 free-spirited girls, her life changes and so does her name and dress code, and then she quits school to be accepted, hoping that this will be a way to freedom.
Originally called Bande de filles in France, which roughly translates as Group of Girls/Girls Posse, definitely feels like one to watch. It’s not easy getting the ‘coming of age’ dramas right and when you think about it, there’s only a small number that really make an impact effectively. Check out the trailer and let’s hope this one does!
GIRLHOOD plays the Sundance film festival later this month and opens on limited release in the USA on 30th January.
Source: StrandReleasing
Dan loves writing, film, music and photography. Originally from Devon, he did London for 4 years and now resides in Exeter. He also has a mild obsession with squirrels and cake. The latter being more of a hobby. Favourite movies include HIGH FIDELITY, ALMOST FAMOUS, ROXANNE, GOOD WILL HUNTING, JURASSIC PARK, too many Steve Martin films and Nolan's BATMAN universe. He can also be found on www.twitter.com/danbullock
Latest Posts
-
Film Trailers
/ 15 hours agoM. Night Shyamalan’s ‘Trap’ trailer lands
Anew experience in the world of M. Night Shyamalan.
By Paul Heath -
Film News
/ 1 day agoFirst ‘Transformers One’ teaser trailer debuts IN SPACE!
The animated feature film is heading to cinemas this September.
By Paul Heath -
Film Reviews
/ 1 day ago‘Abigail’ review: Dirs. Matt Bettinelli-Olpin & Tyler Gillett (2024)
Matt Bettinelli-Olpin and Tyler Gillett direct this new horror/ heist hybrid.
By Awais Irfan -
Film Trailers
/ 1 day agoNew trailer for J.K. Simmons-led ‘You Can’t Run Forever’
A trailer has dropped for You Can’t Run Forever, a new thriller led by...
By Paul Heath